Ken Burns reflecting on His American Revolution Documentary: ‘We Won’t Work on a More Important Film’

The veteran filmmaker is now considered beyond being a filmmaker; he is a brand, a one-man industrial complex. When he has documentary series premiering on the PBS network, everybody wants a part of him.

Burns has done “more fucking podcasts than I ever thought possible”, he says, approaching the conclusion of his marathon promotional journey comprising four dozen cities, 80 screenings and hundreds of interviews. “With podcasts numbering in the hundreds of millions, I feel I’ve participated in a substantial portion.”

Fortunately Burns possesses boundless energy, as expressive in conversation as he is accomplished during post-production. The veteran director has appeared at locations ranging from Monticello to The Joe Rogan Experience to promote one of his most ambitious projects: The American Revolution, a comprehensive multi-part historical examination that dominated the past decade of his life and debuted currently on PBS.

Timeless Filmmaking Method

Comparable to methodical preparation amidst instant gratification culture, The American Revolution proudly conventional, evoking memories of historical documentary classics as opposed to modern digital documentaries and podcast series.

For the documentarian, whose entire filmography documenting American historical narratives covering diverse cultural topics, its origin story is not just another subject but essential. “I said this to my co-director Sarah Botstein the other day, and she agreed: we won’t work on a more important film Burns reflects from his New York base.

Comprehensive Scholarly Work

Burns, co-directors Botstein and David Schmidt plus scripting partner Geoffrey Ward referenced thousands of books and primary source materials. Numerous scholars, covering various ideological backgrounds, contributed scholarly insights along with leading scholars representing multiple disciplines such as enslavement studies, Native American history and imperial studies.

Signature Documentary Style

The style of the series will seem recognizable to viewers of Burns’ earlier work. The characteristic technique incorporated methodical photographic exploration over historical images, abundant historical musical selections featuring talent voicing historical documents.

This period represented Burns built his legacy; decades afterwards, now the doyen of documentaries, he can attract numerous talented actors. Participating with Burns during a recent appearance, acclaimed writer Lin-Manuel Miranda commented: “When Ken Burns calls, you say ‘Yes.’”

All-Star Cast

The extended filming period provided advantages in terms of flexibility. Filming occurred in studios, on location using online technology, a method utilized during the pandemic. Burns explains the experience with performer Josh Brolin, who found a few free hours in Atlanta to voice his character as George Washington prior to departing to other professional obligations.

The cast includes numerous acclaimed actors, Jeff Daniels, Morgan Freeman, Paul Giamatti, Domhnall Gleeson, Amanda Gorman, Jonathan Groff, multiple generations of actors, accomplished dramatic artists, British and American talent, Edward Norton, David Oyelowo, Mandy Patinkin, television and film stars, Dan Stevens, Meryl Streep.

Burns adds: “Honestly, this could represent the finest ensemble recruited for any project. They do an extraordinary service. Selection wasn’t based on fame. I became frustrated when someone asked, regarding the famous participants. I responded, ‘These are performers.’ They’re the finest actors in the world and they vitalize these narratives.”

Historical Complexity

Still, no contemporary observers remain, photography and newsreels compelled the production to depend substantially on primary texts, combining the first-person voices of numerous historical characters. This allowed them to present viewers beyond the prominent leaders of that era plus numerous additional crucial to understanding, numerous individuals never even had a portrait painted.

Burns also indulged his particular enthusiasm for geography and cartography. “Maps fascinate me,” he notes, “with greater cartographic content in this film than in all the other films throughout my entire career.”

International Impact

Filmmakers captured footage at nearly a hundred historical locations in various American regions plus English locations to preserve geographical atmosphere and partnered extensively with historical interpreters. All these elements combine to present a narrative more bloody, multifaceted and world-changing versus conventional understanding.

The revolution, it contends, transcended provincial conflict concerning territory, taxes and political voice. Rather, the series depicts a violent confrontation that finally engaged multiple global powers and surprisingly represented what it calls “mankind’s greatest hopes”.

Civil War Reality

What had begun as a jumble of grievances leveled at London by far-flung British subjects in 13 fractious colonies rapidly became a brutal civil conflict, setting brother against brother and turning communities into battlegrounds. In episode two, scholar Alan Taylor notes: “The main misapprehension concerning independence struggle is that it was something a consolidating event for colonists. This ignores the truth that it was a civil war among Americans.”

Sophisticated Interpretation

In his view, the revolutionary narrative that “generally is overwhelmed by emotionalism and wistful remembrance and remains shallow and fails to properly acknowledge the historical reality, and all the participants and the widespread bloodshed.”

The historian argues, an uprising that declared the world-changing idea of inherent human rights; a vicious internal conflict, separating rebels and supporters; plus an international conflict, the fourth in a series of wars between imperial nations for dominance in the New World.

Unpredictable Historical Moments

The filmmaker also sought {to rediscover the

Luis Cantu
Luis Cantu

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